
Addicted to realism, obsessed with endless detail, meticulous to the extreme, I had lost the knack of enjoying drawing.
The drawing you did just to pass the time, to satisfy an impulse.
The drawings, which expressed in just a few lines of a felt pen all that was so hard to say at the age of six with words.
I tried to return to the line, unbroken by time and to the happy nature of the child I was, without ruining it.
I wanted sharps and flats, thin and thick, voices, writing that intermingled.
I was seeking eloquent empty spaces in these colorful relics, and found in them silences filled with questions.
I did not want a confrontation, a before/after. Adopting a fake childlike style would have been equally sterile.
I was dreaming of a give and take, an illustrated conversation.
Checking out childhood was like opening a Pandora’s box of primary fears;
it meant taking my mind back to a mythology forged in the darkness of a bedroom, at bed time.
A mythology I tried to bury under hair and the mask of puberty and all the rest.
But, rather than disappearing, it came to dwell in my drawings, ever since a theater of unbridled conflict and desires;
now, a reality tamed.
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Fabien Merelle
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